Garbage

December 11, 2008 at 5:05 am (music) (, , )

McDonald’s, the burger chain we all grew up visiting at one time or another, has a new bunch of ads out pimping their McNuggets. One ad has some guy singer bawling out cliche’d lines to some girl about how she won’t share her McNuggets. Some idiots say it’s racist. Oh, it’s not. What is does show is that R&B music is now complete garbage.

Check it out now:

Now let me break it down for you.

R&B music in the 50′s was doowop. Slickly produced with studio musicians who got screwed out of royalties. The 60′s moved more into individual singers and groups who played thier own stuff. I tend to feel that the first half and the second half of the 60′s were completely different, almost like it took 5 years for the 50′s mentality to wear off. Rolling into the 70′s, there was more of a funk sound in R&B, again with studio musicians. All of these decades also included singers dying penniless, drug abuse, studio musicians getting screwed and other agregious (sp?) acts of the music industry.

Also?
It was a time where professional songwriters blossomed and wrote some amazing songs that have really stood the test of time. Carole King and all the gang over at the legendary Brill Building created some of the soundtrack of the baby boom generation. Thousands more toiled to bring you memorable hits. Those studio musicians put out some work that today is still considered the epitome of awesome. See “Standing In The Shadows Of Motown” for some background on that.

Record companies always, from the dawn of that era, considered that type of music disposable pop music. Disposable. You never, however, picked up on that from the writing or the band or the performances. They might have considered it garbage but they definately put a shine on it.

Going into the 80′s, the emergence of electronic music and the greediness of record execs made R&B worse but cheaping out on talent and turning to music videos to sell records as opposed to quality recordings. Selling the sizzle, not the steak, as one could say.

Into the 90′s, computers became more prevalent in the studio, turning singers who could barely sing into superstars. ProTools makes it all possible. Autotune makes it all possible. MTV makes it all possible. Instead of hiring quality musicians, they are replaced with synthesizers and drum machines (drum machines have no soul).

The one thing left was quality songwriting. But like the rock that is worn away by a slow water drip, this, too, is a thing of the past.

It was bad enough to have to witness the end of awesome musicians. But the end of quality songwriting is truly depressing.

R&B music is indeed, complete and utter garbage.
This fast food commercial inadvertently proves this point by putting together a standard R&B loop with lines that appear all over R&B songs. Think I’m kidding? Listen to your local R&B radio station and check it out.

For some reason, no one will say that the emperor has no clothes.
And this…is a damn shame.

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Oh Music Industry, You Clueless Bastard

October 11, 2008 at 2:18 am (assorted rants, music) (, , , , )

Since my life is so exciting, I spent this friday night watching baseball and trying to work on writing my book. By work on writing my book, I mean, of course, procrastinate by surfing around on the web. After hitting my usual twitter/facebook/myspace/fave blogs, I decided to check out Yahoo’s Music section. It almost melted my brain, which is not good considering how little I have left after the long term party of my 20′s.

What was so ridiculous?

Have you ever heard the term “never underestimate the bad taste of the American public?”? The “User’s Choice Award” goes to some band called Saving Abel (clever name). Signed to Virgin, they are the newest version of Creed/Nickelback (in fact they actually say they wish they wrote “Photograph”. I feel dirty just repeating that.). By this I mean bland rock songs with the heartfelt ballad thrown in (in what used to be called “the power ballad”) to show they have a heart. Throw in some Marshall stacks and some body jewelry & tats and you got yerself an arena seller in most of the country.

Obviously, you know that music labels are in it for the cash. It’s called the music business for a reason. However the constant deluge of these middle of the road nasty bands are really grating on my sanity. People my age (in the 25-35 group) are wondering when rock will make a comeback. In clubs I have been in, people are always lamenting how great bands were in the 70, 80′s and up to the mid 90′s. This might be more nostalgia then fact, but the truth remains…the state of rock music in this country is terrible.

So where are the bands? The truth of the matter is, from what I have seen, the music scene is in a state of what can only be called Suck. Yes, with a capital S. Seriously. You have your hipster bands who want to be the next Arcade Fire (not a fan) or The Killers or *insert name of the last breakout band that only gets played on college radio that makes you want to poke your eyes out*.

Sometimes I think that perhaps games like Guitar Hero and Rock Band will open up kids eyes and ears to old songs and bands that might influence them in a positive way. Only, I see the problem is that kids think playing an instrument is as simple as playing Guitar Hero and, indeed, it is not (I say this as a beginner bass player and an old school drummer). So there goes that.

Until some band breaks thru this mediocrity (like Guns and Roses did) and nausea of bands like Nickelback & Staind, I am afraid rock will continue to be ridiculed as middle of the road crap. For once I have to admit, the state of rock radio is awful and I would have to agree with them. However I think it is only a matter of time. People are tired of skinny jeans and too much eyeliner. Something big is in the air, it’s only a matter of time before some A&R guy wanders into some bar to see a band he spotted online somewhere and looses his mind.

Until then, the music industry will continue to be clueless bastards and keep trying to spoon feed you crap. Be a good chap, will ya, and spit that shit out.

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Breaking My Heart Over And Over Again

August 31, 2008 at 5:56 am (music) (, )

My parents divorced when I was 10 and when I was 11, going on 12, we moved into a house in the neighborhood my mom still lives in. It is a solidly middle class neighborhood where people take care of their kids, their houses and their cars. Usually in that order. Strangely enough, it also has the most millionaires per capita then anywhere else in the city. Every other corner has a bar, a doctor’s office or a church. While it has a mix of ethnicities, you usually find people to be Irish, Italian or Polish. It is also a place where people are born and raised, you rarely find new blood here.

When I moved here I was new blood and I stuck out like a sore thumb. That’s not exactly handy when you are 11 years old.

Most of the kids knew each other from birth and didn’t exactly warm up to the new kid. I was also weird. I loved music, but not the top 40 dance music everyone seemed to listen to, I wore funny tshirts and I had short hair. I had gone to Girl Scout camp for 2 weeks and when I came back I was utterly addicted to The Dead Milkmen and more specifically “Eat Your Paisely” (to this day I love hearing “Beach Party Vietnam”). Oh, and my parents were divorced, which was definitely not the style of the time in 1986 (funny aside, by the time I finished high school, half my tormentors had broken homes, just like me. How about that?). I spent most of my time in the house and when I went out, I ran a lot. Or, rather, I was chased a lot. On the upside, it was definitely good exercise for a fairly chubby preteen.

I made a friend up the street and immediately I was hooked on the music he was into: Ozzy, Maiden, that kind of thing. But what really hooked me? Metallica. We would sit around with his buddies and listen to various records but Ride The Lightening was the best, especially when playing Zelda or Super Mario Brothers.

One of the guys was a kid named Billy Kellaher. Billy lived with his dad and his mom was in the hospital in a coma or something (he didn’t really talk about it) and was already in high school. He had lots of time to hang out since his dad worked all the time as a short order cook (again, something he didn’t talk much about). What he did talk about was Metallica. More specifically, he was really protective of the band to the point of telling me one day that “I had to prove myself as a fan” and would quiz me. Seriously. He would pepper me with Metallica trivia and stuff and if I didn’t know, he’d ridicule my devotion to the band, which I thought on one hand was funny but on the other hand kind of drove me to learn as much as I could about the band. I think that sort of thinking and weird teenage devotion to a band drove me to be almost obsessive over the stuff I like, as if Billy will pop up behind a desk or a wall somewhere quizzing me on my devotion to, say, Hondas or New Balance sneakers.

Anyway, I finally got him to make me a taped copy of “Ride The Lightening”. I still have the black TDK tape in my box of tapes and crap in my dad’s basement. I played the crap out of that tape on my boombox I got from my grandparents that Christmas. Then I got my hands on a copy of “Master Of Puppets” from my local Wall To Wall Sound and Video. That was it. I had my two tapes and they were glued to my tape deck. No one else in my classes knew who they were, or really much cared. They were into U2 or some other sort of dance music.

When I was in 7th grade, I was eagerly awaiting the release of “…And Justice For All”. The day it came out, I rode my bike again to the Wall To Wall Sound and Video and purchased the record. Or, more specifically the double album. It was a sweet double gatefold with great sleeves full of pictures and lyrics. Again, I played those records over and over again. Why did I get it on vinyl? Well, even tho cd’s were out and slowly getting more and more popular, I had this weird attachment to vinyl. There is something about reading the liner notes and seeing how they design everything from the jacket to the label on the record itself is fascinating to me. Cd’s just really don’t do it for me. Also, records are sort of magical to me, but that’s another story for another time.

After the record was out for awhile, they released the video for “One”. All the sudden, the band I had followed obsessively was on MTV every 5 minutes. Boys in my class made fun of it, and the girls thought I was weird for liking it. Only, I didn’t particularly like that song, especially since others like “Harvester Of Sorrow” were so much better. At the time I didn’t understand why they made that video and now my band was out there.

I dealt with it. Life goes on for kids. Life goes on for bands. But it sort of broke my heart to share that band with the world.

After awhile Metallica kind of faded a little from my musical consciousness and replaced by all sorts of things as I entered high school. They released the Black album and while listening to it at my friend Josh’s house, I really started getting irritated. This was not the band I loved and obsessed over back in the day. I realized that was it. They might be “growing” as a band but we were growing apart. This relationship was over. This parrot has ceased to be.

As with any old love, when you see them you feel a little stirring of something. Usually, it’s just the memory of some good times tickling at your heart strings and it fades when you get distracted by other things in life like tying your shoes or driving your car. Years later, there was a little program called Napster that let you trade music files. For someone like me who never had any money, it was awesome.

And then Lars Ulrich opened his big, fat Danish mouth. He wasn’t concerned about artists, or how file trading might help smaller bands build a following, he was more concerned about money FOR HIM. He singlehandedly shut down something that could have helped a zillion bands get thier music out. It made him look like a money grubbing whiney bitch, and frankly, I was embarrased for him but also it kind of made me sad to see how far he had come from those days of “Kill ‘Em All”. Some weird road he traveled.

Fast forward to 2 years ago when I saw the documentary they had released called “Some Kind Of Monster”. I am guessing their reasons for releasing it had something to do with wanting to look human but all it did was reinforce what fans had been saying for years…that the band was wildly off the rails and needed a reality check. Crying about having to sell your art is not very rock. And I won’t get into how awful that album “St. Anger” is. Oh dear jesus.

So after yet a third bass player, Metallica has decided to soldier on. Much like Van Halen, they just keep on going long after the expiration date is blinking in their faces. Unlike Van Halen, who realized the fans wanna see the first lineup and hear those old songs, Metallica actually thinks you want to hear new material. Most fans, they want to hear the old stuff. However I doubt you’ll see Jason back in the band for a greatest hits of the 80′s tour. They will just keep making awful albums, making a mockery of their best work, and making those old fans embarrased to even say they *are* fans.

And like a divorced kid who never gives up on that dead beat dad, they will continue to break my heart over and over again.

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why pearl jam is no longer relevant

January 23, 2008 at 2:18 am (music) (, )

…perhaps relevant is kind of a harsh word.
But let me explain.

There’s this great show they show here in the U.S on Fuse (imported from the UK) called “Later…with Jools Holland”. It’s hosted by Jools Holland, the former keyboard player from Squeeze. He hosts the show and barely talks to anyone, it’s all about the music. He collects a range of bands/performers, usually about 6 and they play. That’s it. No B.S, no endless chat about cd releases or whatever, just music. It’s a great show, and I’ve found a few cool bands there myself.

The episode I just watched, which is probably a year old, had Pearl Jam performing, along with The Zutons, Corinne Bailey Rae, Jamie Fox and some singer girl named Jenny Lewis (who I think used to be a child actor) who put me to sleep. This was the second time I saw Corrine on this show and she is great. She has this great smile and a great way with playing with notes.

However the show opened with Pearl Jam singing “World Wide Suicide” which I believe was the first single off thier last cd.

Let me take you in a ride in the way back machine to properly explain this.
I was in high school when I became a huge Mother Love Bone fan. If you’ve never heard of them, go pick up “Apple”. Amazing shit. Andy Wood, thier singer died, and not too long after it, I kept reading about (in magazines as the interweb had yet to really exist in people’s houses) this new band that some of the guys from MLB had formed called Pearl Jam. Thier new record was coming out soon and the day it did, I went to the Tower Records on South Street here in Philly and bought myself the cassette tape (as we did back in the day). I immediately fell in love with “Ten” and wouldn’t shut up about it for six months. I wore off the track listings flipping the tape over and over in my walkman. During that time everyone told me to shut the fuck up about it. Until the video for “Alive” came out. Cue explosions.

Watching that band live during that time was awesome. There was energy, there was fire, there was something burning there. While no other release by them had the same fire, they were evolving as a band, and that seemed to work for them somehow even if they weren’t really my thing anymore.

I hadn’t seen them live in a long time, until today when I saw them on Later..
Wow.
Opening the show with “World Wide Suicide” was a band I could not believe 15 years ago was literally burning to play, burning to say something, burning to get out there in front of people.

To say Eddie Vedder was anemic would be being nice. To say the rest of the band was sleepwalking (with the exception of drummer Matt Cameron, who is a monster behind the kit at all time, always) would be a good way to put describe it. It was like going back to your elementary school and seeing it for the craphole it really was.

They also closed the show, playing thier very first single “Alive”. I am guessing they haven’t played that song in a good long time, because the looks on their faces showed some life, there was even some laughing going on and Eddie ran over and danced with Corrine during the guitar break towards the end, it was all very cute.

But what that whole performance showed was that Pearl Jam is a 15+ year old band thats got nothing left but fumes. That’s not to say that individually they might not have things to say or that a different direction wouldn’t kill them but it was like watching a favorite old uncle take his last wheezing breath.

And man, was it sad.

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